{"id":119,"date":"2025-03-27T18:18:04","date_gmt":"2025-03-27T23:18:04","guid":{"rendered":"https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/?page_id=119"},"modified":"2025-03-27T18:18:04","modified_gmt":"2025-03-27T23:18:04","slug":"musica-en-haiti-s-xix","status":"publish","type":"page","link":"https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/musica-en-haiti-s-xix\/","title":{"rendered":"M\u00daSICA EN HAIT\u00cd S. XIX"},"content":{"rendered":"\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-cover has-accent-1-color has-text-color has-link-color wp-elements-1677aa54f1436fa288f9d07bb8693b69\" style=\"margin-top:0;margin-bottom:0;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50);min-height:254px;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-contrast-background-color has-background-dim-30 has-background-dim\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1395\" height=\"1032\" class=\"wp-block-cover__image-background wp-image-292\" alt=\"\" src=\"https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/haiti-1.jpg\" data-object-fit=\"cover\" srcset=\"https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/haiti-1.jpg 1395w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/haiti-1-300x222.jpg 300w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/haiti-1-1024x758.jpg 1024w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/haiti-1-768x568.jpg 768w\" sizes=\"auto, (max-width: 1395px) 100vw, 1395px\" \/><div class=\"wp-block-cover__inner-container has-global-padding is-layout-constrained wp-container-core-cover-is-layout-b25ccd55 wp-block-cover-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-group alignwide has-global-padding is-content-justification-center is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-style-default is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-knight-lab wp-block-embed-knight-lab\"><div class=\"wp-block-embed__wrapper\">\n<iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" src='https:\/\/uploads.knightlab.com\/storymapjs\/b1c2343edf8520f763d6c0ccd9811ecc\/haiti\/index.html#?secret=jshKURYF0c' data-secret='jshKURYF0c' width='500' height='700' frameborder='0'><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h2 class=\"wp-block-heading\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-1-color\">Conformada <\/mark><\/strong><\/h2>\n\n\n\n<p class=\"has-text-align-left\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-1-color\">por el tercio oeste de la isla de Hispaniola, que comparte con Rep\u00fablica Dominicana<\/mark><\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-right\"><strong>El idioma <\/strong><\/h2>\n\n\n\n<p><strong>oficial es Creole- <em>Kw\u00e9yol<\/em> (mezcla entre franc\u00e9s, ingl\u00e9s y espa\u00f1ol).<\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-right\"><strong>Entre <\/strong><\/h2>\n\n\n\n<p class=\"has-text-align-left\"><strong>la independencia y 1860 la iglesia cat\u00f3lica no ten\u00eda presencia oficial en el pa\u00eds, por lo que las religiones africanas fueron muy prominentes por m\u00faltiples generacione<\/strong>s<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading alignfull has-text-align-center\">En el <strong>siglo XIX<\/strong><\/h2>\n\n\n\n<h2 class=\"wp-block-heading alignwide has-text-align-center\">se establece la banda militar de vientos, o fanfarra como la \u00fanica fuente de ingresos para m\u00fasicos profesionales.<\/h2>\n\n\n\n<h2 class=\"wp-block-heading alignwide has-text-align-center\">Estas fanfarras estaban ubicadas en las ciudades\/pueblos principales y dispon\u00edan de espacios de conciertos los domingos con repertorios como cuadrillas, marchas y valses de origen europeo.<\/h2>\n\n\n\n<h2 class=\"wp-block-heading alignwide has-text-align-center\">Antes de las revoluciones de las personas en condici\u00f3n de esclavitud (1791-1804) puso fin a la tradici\u00f3n europea. El repertorio de St. Domingue era reflejo de Par\u00cds, con compositores como Gr\u00e9try, Philidor, Monsigny, Gluck and Gossec. Sin embargo, las influencias de los est\u00e1ndares culturales franceses sobrevivir\u00edan hasta el siguiente siglo.<\/h2>\n\n\n\n<h2 class=\"wp-block-heading alignwide has-text-align-center\">Aunque en el per\u00edodo inmediatamente despu\u00e9s de la revoluci\u00f3n hubo un intento de revivir el teatro, los costos que ten\u00edan motivaciones pol\u00edticas no fueron populares entre los habitantes de la joven rep\u00fablica.<\/h2>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n<p><a href=\"https:\/\/cdn.knightlab.com\/libs\/timeline3\/latest\/embed\/index.html?source=v2:2PACX-1vTdLzY2fWhQjeN8jzgmGHlTzVvOLz4HGZP1meZrKhdRmz75gXUJJSZATJDkkYdJA6rG_ScTU0Y2AP12&amp;font=Default&amp;lang=es&amp;initial_zoom=2&amp;height=650\" target=\"_blank\" rel=\"noreferrer noopener\">L\u00cdNEA DEL TIEMPO<\/a><\/p>\n\n\n\n<div class=\"wp-block-group alignfull has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\" style=\"margin-top:0;margin-bottom:0\">\n<div class=\"wp-block-group alignwide is-style-default is-layout-grid wp-container-core-group-is-layout-5fdb10e5 wp-block-group-is-layout-grid\" style=\"padding-top:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50)\">\n<div class=\"wp-block-group wp-container-content-5fd69529 has-global-padding is-layout-constrained wp-container-core-group-is-layout-5a30f31b wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group is-vertical is-content-justification-left is-layout-flex wp-container-core-group-is-layout-dd225191 wp-block-group-is-layout-flex\">\n<h2 class=\"wp-block-heading alignwide\" id=\"we-re-a-studio-in-berlin-with-an-international-practice-in-architecture-urban-planning-and-interior-design-we-believe-in-sharing-knowledge-and-promoting-dialogue-to-increase-the-creative-potential-of-collaboration\" style=\"font-size:clamp(27.894px, 1.743rem + ((1vw - 3.2px) * 1.971), 48px);line-height:1.1\">M\u00daSICA RITUAL<\/h2>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading is-style-text-subtitle is-style-text-subtitle--1\"><strong>Cantos<\/strong><\/h2>\n\n\n\n<p>Cantos responsoriales entre l\u00edderes de la congregaci\u00f3n y la comunidad.<\/p>\n\n\n\n<p>La mayor\u00eda de los cantos Vodou est\u00e1n hechos con escalas anhemit\u00f3nicas pentat\u00f3nicas, con algunas excepciones en notas transicionales.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Rituales<\/strong><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Rada<\/strong><\/h3>\n\n\n\n<p>La mayor\u00eda escritos en 12\/8.<\/p>\n\n\n\n<p>Los ritmos comunes tocados en estos rituales incluyen:<\/p>\n\n\n\n<p>yanvalou (central en la danza Rada)<\/p>\n\n\n\n<p>mayi<\/p>\n\n\n\n<p>zep\u00f2l<\/p>\n\n\n\n<p>nago<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Petwo-Kongo<\/strong><\/h3>\n\n\n\n<p>Son danzas m\u00e1s animosas en su temperamento, tambiz\u00e9n meas demostrativas y teatrales.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>G\u00e8de y banda<\/strong><\/h3>\n\n\n\n<p>Sobre los esp\u00edritus G\u00e8de, que goviernan la transici\u00f3n entre la vida y la muerte y tienen roles importantes en cuanto a fertilidad y reencarnaci\u00f3n. Son rituales que no est\u00e1n completamente dentro de los Rada y Petwo. Usualmente son mas c\u00f3micos, obscenos, impredecibles e incluso aterradores.<\/p>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1147\" height=\"751\" src=\"https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Screenshot-2025-03-26-at-00-57-58-Instagram-edited.png\" alt=\"\" class=\"wp-image-289\" style=\"aspect-ratio:16\/9;object-fit:cover\" srcset=\"https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Screenshot-2025-03-26-at-00-57-58-Instagram-edited.png 1147w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Screenshot-2025-03-26-at-00-57-58-Instagram-edited-300x196.png 300w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Screenshot-2025-03-26-at-00-57-58-Instagram-edited-1024x670.png 1024w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Screenshot-2025-03-26-at-00-57-58-Instagram-edited-768x503.png 768w\" sizes=\"auto, (max-width: 1147px) 100vw, 1147px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"505\" src=\"https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/070620-30-History-France-Haiti-1024x505.jpg\" alt=\"\" class=\"wp-image-276\" srcset=\"https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/070620-30-History-France-Haiti-1024x505.jpg 1024w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/070620-30-History-France-Haiti-300x148.jpg 300w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/070620-30-History-France-Haiti-768x379.jpg 768w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/070620-30-History-France-Haiti.jpg 1213w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"666\" src=\"https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Screenshot-2025-03-27-at-11.32.44-AM-min-e1743094102937-1024x666.png\" alt=\"\" class=\"wp-image-278\" srcset=\"https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Screenshot-2025-03-27-at-11.32.44-AM-min-e1743094102937-1024x666.png 1024w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Screenshot-2025-03-27-at-11.32.44-AM-min-e1743094102937-300x195.png 300w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Screenshot-2025-03-27-at-11.32.44-AM-min-e1743094102937-768x500.png 768w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Screenshot-2025-03-27-at-11.32.44-AM-min-e1743094102937-1536x999.png 1536w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Screenshot-2025-03-27-at-11.32.44-AM-min-e1743094102937-2048x1333.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: haiti\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/1El5vvre1d44GOpKhEVU9o?si=794e7a808b344f3a&#038;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-group wp-container-content-5fd69529 has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:41% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"585\" height=\"1024\" src=\"https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Haiti-from-Flags-of-All-Nations-Series-1-N9-for-Allen-G.-The-Metropolitan-Museum-of-Art-585x1024.jpg\" alt=\"\" class=\"wp-image-291 size-full\" srcset=\"https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Haiti-from-Flags-of-All-Nations-Series-1-N9-for-Allen-G.-The-Metropolitan-Museum-of-Art-585x1024.jpg 585w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Haiti-from-Flags-of-All-Nations-Series-1-N9-for-Allen-G.-The-Metropolitan-Museum-of-Art-171x300.jpg 171w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Haiti-from-Flags-of-All-Nations-Series-1-N9-for-Allen-G.-The-Metropolitan-Museum-of-Art-768x1345.jpg 768w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Haiti-from-Flags-of-All-Nations-Series-1-N9-for-Allen-G.-The-Metropolitan-Museum-of-Art-877x1536.jpg 877w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Haiti-from-Flags-of-All-Nations-Series-1-N9-for-Allen-G.-The-Metropolitan-Museum-of-Art-1169x2048.jpg 1169w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Haiti-from-Flags-of-All-Nations-Series-1-N9-for-Allen-G.-The-Metropolitan-Museum-of-Art-scaled.jpg 1462w\" sizes=\"auto, (max-width: 585px) 100vw, 585px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h1 class=\"wp-block-heading\">M\u00daSICA DE<br>LA VIDA DIARIA<br>FESTIVALES Y<br>RECREACI\u00d3N<\/h1>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Rara<\/strong><\/h2>\n\n\n\n<p>Una festividad de primavera, sobre las fechas de pascua. Posiblemente derivado de una pr\u00e1ctica del per\u00edodo colonial (Carnaval Car\u00eame) en el cual las personas en condici\u00f3n de esclavitud se desfrazaban de realeza y visitaban las &#8220;casas principales&#8221; de las plataciones solicitando donaciones de dinero o comida.<\/p>\n\n\n\n<p>De forma similar a las canciones Voudou, la mayor\u00eda de la m\u00fasica rara est\u00e1 compuesta con melod\u00edas con algunas pocas notas de paso. <\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Karnaval<\/strong><\/h2>\n\n\n\n<p><em>karnaval<\/em>: de origen creole, 3 d\u00edas antes de pascua.<\/p>\n\n\n\n<p><em>konbit<\/em>: una asociaci\u00f3n cooperativa de trabajo, que consite en un sistema de ayuda mutua y tiene su contraparte cultural en pr\u00e1cticas de \u00c1frica occidental. Las labores son usualmente acompa\u00f1adas de un ensamble musical cuya labor es entreteneer e inspirar a los trabajadores.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Danzas<\/strong><\/h2>\n\n\n\n<p>djouba (juba), a veces llamada matinik ->asociaci\u00f3n con los imigrantes de Martinique<\/p>\n\n\n\n<p>Las danzas de sal\u00f3n fueron tra\u00eddas de Francia en el siglo XIII y las ense\u00f1aron tanto en contextos rurales como urbanos por m\u00e8t dans (maestros de danza:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>kontradans (contradanza)<\/li>\n\n\n\n<li>menwat (minuet)<\/li>\n\n\n\n<li>eliyanse (lanciers), a\u00fan las tocan en algunas areas por recreaci\u00f3n o para ceremoniasd vudou<\/li>\n\n\n\n<li>kadri (cuadrilla)<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Canciones infantiles<\/strong><\/h2>\n\n\n\n<p>De influencia europea, siguen progresiones arm\u00f3nicas expl\u00edcitas.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Instrumentos poco conocidos<\/strong><\/h2>\n\n\n\n<p>El aislamiento relativo de las \u00e1reas rurales de Haiti ha permitido la supervivencia de instrumentos &#8220;perif\u00e9ricos&#8221; o poco conocidos, muchos de origen africano. En algunos casos incluso s\u00f3lo tocados por ni\u00f1os:<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Haitian classical\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLZlLJIAQcZEAw_MJduaW2MNpml-AK1HX7\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>tanbou marengwen (tambor mosquito), consiste de una cuerda estirada desde un peque\u00f1o \u00e1rbol doblado a un hueco en el suelo cubierto con paja.<\/p>\n\n\n\n<p>ganbo (tubo de pisar), se toca en un ensamble en el cual cada int\u00e9rprete pisa dos tubos de bamb\u00fa de distintas longitudes (y frecuencias) en el piso creando un <em>ostinato<\/em> percutivo.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group alignfull is-style-section-5 has-global-padding is-layout-constrained wp-block-group-is-layout-constrained is-style-section-5--2\" style=\"margin-top:0;margin-bottom:0;padding-top:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50)\">\n<div class=\"wp-block-columns alignwide is-style-default is-layout-flex wp-container-core-columns-is-layout-7ee84d44 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<h2 class=\"wp-block-heading\">MUSICALMENTE<\/h2>\n\n\n\n<p>Despu\u00e9s de la revoluci\u00f3n hay un deseo de retener ciertos est\u00e1ndares europeos incluyendo recursos locales.<\/p>\n\n\n\n<p>Las composiciones de Occide Jeanty (1860\u20131936), l\u00edder de la banda del gobierno <em>Musique du Palais<\/em>, son ejemplo de esto: su formato era la fanfarra, para la que compuso trabajos con alta carga pol\u00edtica. Como su obra 1804 conmemorando la independencia de Hait\u00ed.<\/p>\n\n\n\n<p>Ludovic Lamothe (1882\u20131953)<\/p>\n\n\n\n<p>Justin Elie (1883\u20131931)<\/p>\n\n\n\n<p class=\"has-medium-font-size\">Franck Lass\u00e8gue (1890\u20131940)<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2182\" height=\"1052\" src=\"https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Screenshot-2025-03-27-at-1.40.05-PM-min.png\" alt=\"\" class=\"wp-image-288\" style=\"object-fit:cover\" srcset=\"https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Screenshot-2025-03-27-at-1.40.05-PM-min.png 2182w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Screenshot-2025-03-27-at-1.40.05-PM-min-300x145.png 300w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Screenshot-2025-03-27-at-1.40.05-PM-min-1024x494.png 1024w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Screenshot-2025-03-27-at-1.40.05-PM-min-768x370.png 768w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Screenshot-2025-03-27-at-1.40.05-PM-min-1536x741.png 1536w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Screenshot-2025-03-27-at-1.40.05-PM-min-2048x987.png 2048w\" sizes=\"auto, (max-width: 2182px) 100vw, 2182px\" \/><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group alignfull has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\" style=\"margin-top:0;margin-bottom:0;padding-top:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50)\">\n<div class=\"wp-block-columns alignwide are-vertically-aligned-top is-layout-flex wp-container-core-columns-is-layout-47c06fe3 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:56%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1398\" height=\"2560\" src=\"https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Haiti-from-the-Natives-in-Costume-series-N16-for-Allen-G.-The-Metropolitan-Museum-of-Art-scaled.jpg\" alt=\"\" class=\"wp-image-290\" style=\"aspect-ratio:1;object-fit:cover\" srcset=\"https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Haiti-from-the-Natives-in-Costume-series-N16-for-Allen-G.-The-Metropolitan-Museum-of-Art-scaled.jpg 1398w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Haiti-from-the-Natives-in-Costume-series-N16-for-Allen-G.-The-Metropolitan-Museum-of-Art-164x300.jpg 164w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Haiti-from-the-Natives-in-Costume-series-N16-for-Allen-G.-The-Metropolitan-Museum-of-Art-559x1024.jpg 559w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Haiti-from-the-Natives-in-Costume-series-N16-for-Allen-G.-The-Metropolitan-Museum-of-Art-768x1406.jpg 768w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Haiti-from-the-Natives-in-Costume-series-N16-for-Allen-G.-The-Metropolitan-Museum-of-Art-839x1536.jpg 839w, https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-content\/uploads\/2025\/03\/Haiti-from-the-Natives-in-Costume-series-N16-for-Allen-G.-The-Metropolitan-Museum-of-Art-1119x2048.jpg 1119w\" sizes=\"auto, (max-width: 1398px) 100vw, 1398px\" \/><\/figure>\n\n\n\n<p>La instrumentaci\u00f3n varia mucho dependiendo del contexto. Pueden ser tocados solamente con instrumentos de percusi\u00f3n despu\u00e9s de ceremonias vudou; <em>m\u00e9ringues<\/em> lentos tocados por orquestas de c\u00e1mara con pianos y cuerdas para las \u00e9lites; en hoteles por orquestas completas; en las calles, festivales y hoteles por <em>troubadours<\/em> o ensambles mizik gwenn siw\u00e8l.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-container-core-column-is-layout-119bc444 wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">3. M\u00daSICA POPULAR<\/h2>\n\n\n\n<p><strong>M\u00e9ringue<\/strong><\/p>\n\n\n\n<p>En el Caribe las danzas europeas las tocaban m\u00fasicos de ascendencia africana, lo que genera nuevos estilos e h\u00edbridos que muchas veces acompa\u00f1aban los bailes de sal\u00f3n.<\/p>\n\n\n\n<p>Uno de los primeros (que aparece poco despu\u00e9s de la fundaci\u00f3n de Hait\u00ed) fue el <em>karabiny\u00e8<\/em> (carabinero, como en la milicia), que fue el precursor directo del <em>m\u00e9ringue<\/em>.<\/p>\n\n\n\n<p>Por la mayor parte de los siglos XIX y XX, el <em>m\u00e9ringue<\/em> fue el g\u00e9nero nacional. Bailado en fiestas rurales informales, en bares que frecuentaba la clase trabajadora, as\u00ed como en <em>soir\u00e9es<\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"1804 March by Boston Haitian Marching Band\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/_sp9GFy234g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<aside class=\"wp-block-group alignfull is-style-section-3 has-global-padding is-layout-constrained wp-container-core-group-is-layout-f0f2a97b wp-block-group-is-layout-constrained is-style-section-3--3\" style=\"margin-top:0;margin-bottom:0;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\">\n<h2 class=\"wp-block-heading has-text-align-center\">ENLACES DE INTER\u00c9S<\/h2>\n<\/aside>\n\n\n\n<div class=\"wp-block-group alignfull has-global-padding is-layout-constrained wp-container-core-group-is-layout-ebee8dc1 wp-block-group-is-layout-constrained\" style=\"margin-top:0;margin-bottom:0;padding-top:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50)\">\n<div class=\"wp-block-group alignwide is-layout-grid wp-container-core-group-is-layout-1ce758a5 wp-block-group-is-layout-grid\">\n<div class=\"wp-block-group wp-container-content-98e6c26e has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/assets.boomkat.com\/spree\/products\/977931\/large\/617308094558.jpg\" alt=\"\" style=\"width:275px;height:auto\"\/><\/figure>\n<\/div>\n\n\n\n<p><a href=\"https:\/\/www.ambientscape.com\/haiti\">The Alan Lomax <\/a><a href=\"https:\/\/www.ambientscape.com\/haiti\" target=\"_blank\" rel=\"noreferrer noopener\">Complete Haiti Recordings<\/a><\/p>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio wp-container-content-98e6c26e\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Recordings of Alan Lomax in Haiti in 1936-1937\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/Q02fGrjgXkA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/i.discogs.com\/n4VZInjOwI1ZsjvZ_GeGDk-zoy5akn7ry8dlDrnr5PE\/rs:fit\/g:sm\/q:90\/h:597\/w:600\/czM6Ly9kaXNjb2dz\/LWRhdGFiYXNlLWlt\/YWdlcy9SLTEyNDIy\/NDE4LTE1MzQ5NzAz\/NzEtNzIxNi5qcGVn.jpeg\" alt=\"\"\/><\/figure>\n\n\n\n<div class=\"wp-block-group wp-container-content-98e6c26e is-vertical is-layout-flex wp-container-core-group-is-layout-fe9cc265 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/folkways-media.si.edu\/images\/album_covers\/SF700\/SFW40464.jpg\" alt=\"\"\/><\/figure>\n<\/div>\n\n\n\n<p><a href=\"https:\/\/folkways.si.edu\/rhythms-of-rapture-sacred-musics-of-haitian-vodou\/caribbean-world\/music\/album\/smithsonian\" target=\"_blank\" rel=\"noreferrer noopener\">Rhythms of Rapture: Sacred Musics of Haitian Vodou<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-national-african-american-reparations-commission-naarc wp-block-embed-national-african-american-reparations-commission-naarc\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"yJZpzqAOGg\"><a href=\"https:\/\/reparationscomm.org\/reparations-news\/the-root-of-haitis-misery-reparations-to-enslavers\/\">The Root of Haiti\u2019s Misery: Reparations to Enslavers<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;The Root of Haiti\u2019s Misery: Reparations to Enslavers&#8221; &#8212; National African American Reparations Commission (NAARC)\" src=\"https:\/\/reparationscomm.org\/reparations-news\/the-root-of-haitis-misery-reparations-to-enslavers\/embed\/#?secret=cTYkKzuDXx#?secret=yJZpzqAOGg\" data-secret=\"yJZpzqAOGg\" width=\"500\" height=\"282\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group wp-container-content-98e6c26e has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-national-african-american-reparations-commission-naarc wp-block-embed-national-african-american-reparations-commission-naarc\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"korDCyppCn\"><a href=\"https:\/\/reparationscomm.org\/reparations-news\/when-france-extorted-haiti-the-greatest-heist-in-history\/\">When France extorted Haiti \u2013 the greatest heist in history<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;When France extorted Haiti \u2013 the greatest heist in history&#8221; &#8212; National African American Reparations Commission (NAARC)\" src=\"https:\/\/reparationscomm.org\/reparations-news\/when-france-extorted-haiti-the-greatest-heist-in-history\/embed\/#?secret=l1x8bvwJ3L#?secret=korDCyppCn\" data-secret=\"korDCyppCn\" width=\"500\" height=\"282\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-group wp-container-content-98e6c26e has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Lisette: A Song&#039;s Journey from Haiti &amp; Back\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/qCnsaQ1f3Ag?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<p class=\"wp-container-content-98e6c26e\"><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>L\u00cdNEA DEL TIEMPO M\u00daSICA RITUAL Cantos Cantos responsoriales entre l\u00edderes de la congregaci\u00f3n y la comunidad. La mayor\u00eda de los cantos Vodou est\u00e1n hechos con escalas anhemit\u00f3nicas pentat\u00f3nicas, con algunas excepciones en notas transicionales. Rituales Rada La mayor\u00eda escritos en 12\/8. Los ritmos comunes tocados en estos rituales incluyen: yanvalou (central en la danza Rada) [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-119","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-json\/wp\/v2\/pages\/119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-json\/wp\/v2\/comments?post=119"}],"version-history":[{"count":9,"href":"https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-json\/wp\/v2\/pages\/119\/revisions"}],"predecessor-version":[{"id":298,"href":"https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-json\/wp\/v2\/pages\/119\/revisions\/298"}],"wp:attachment":[{"href":"https:\/\/blogs.uniandes.edu.co\/musicas-latinoamericanas\/wp-json\/wp\/v2\/media?parent=119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}